Tag: datadrivendesign

  • Floral States of Women in America (2026)

    I love sets of things. It’s probably related to my love of classification, which after all is essentially determining what belongs in a given set (and what doesn’t belong) and why. So when I learned about the Floral States of America block of the month (BOM) project from Cotton Cuts, I was immediately interested. Every month for 10 months I received pieces for 5 precut blocks. Each block included a unique fabric print based on a US state flower from Andover’s Floral States collection. There were some hiccups and delays in completing the blocks (some from Cotton Cuts and some on my end) but I finished the blocks sometime last year but promptly put them aside because I wasn’t yet sure in what order I wanted to arrange them. Alphabetically seemed boring. The blocks were sent to us chronologically in the order they joined the union, so that made sense but just wasn’t exciting me.

    And then I was invited to share some quilts at the Matilda Joslyn Gage Center on the theme of women and women’s work, and it struck me that I could do something with that and these blocks. I found the Georgetown Institute for Women, Peace, and Security’s report on The Best and Worst States to be a Woman and I was off and running! I used the on-point setting for the blocks and arranged them in order top to bottom, left to right, from best to worst.

    But if you don’t happen to have all the state flowers memorized, how would you know just by looking? So I digitized the outline of each state and quilted it in each corresponding block.

    I stitched in the ditch for the sashing and used some ghost shapes to define the cornerstones. Added rays in the setting triangles and corners, et voila! A lovely 60″ x 72″ unique data-driven quilt that captures the state of women in the US.

    The problem? The Matilda Effect gallery at the Gage Center is in the original section of the historic house…and the ceilings are only 80″ tall. Unfortunately, this quilt was too large and would not work as part of the exhibit. But after talking with the director, we decided to move in a different direction. I have donated this piece to the Matilda Joslyn Gage Center to be raffled off as a fundraiser. That’s right–this bespoke quilt can be yours!

    “Floral States Of Women In America”

    2026

    60″ x 72″

    Retail price of $1850.00
    Tickets are $1/each, $10 for 12, and $20 for 25.
    Drawing will take place at the Gage Foundation Awards Dinner on October 3, 2026.
    Winner need not be present to win.

  • Art Is(?) For Everyone

    Made in response to a call for art about Syracuse, this piece uses data from the city’s Open Data Portal to visualize the amount of public art in each designated neighborhood–the darker the shade of orange, the more public art in that area. Art is for everyone, indeed.

    16″ diameter

    Commercial and hand-dyed cotton fabrics, cotton batting, polyester thread, pressed wood frame, raw edge applique, custom digital longarm quilting

    This piece appeared in the following shows:

  • (Are You?) Proud To Be An American

    This quilt continues a series exploring the use of bargello to communicate changing data over time–in this case, statistics from the FBI documenting hate crimes against LGBTQ+ individuals between 1991-2022. Each vertical strip represents one year with the width calculated based on the number of hate crimes committed. The bargello strips move up or down based on whether there were more or fewer crimes than the previous year.

    Materials: commercial cotton fabric; machine pieced patchwork; custom computerized longarm quilting

    71″ x 74″

    This quilt appeared in the following exhibitions:

    • Mid-Atlantic Quilt Festival 2024
    • CitraCuse at the Gear Factory 2024
    • Great Wisconsin Quilt Show 2024
    • Pride Annual Juried Exhibit at the Arlington (TX) Museum of Art 2025
    • New York State Fair 2025
    • 39th annual International Materials: Hard + Soft Contemporary Craft & Digital Art Competition and Exhibition 2026
  • Tenure Race

    In my second year as an assistant professor on the tenure track, I began logging how I spent my time to ensure it aligned with my contractual expectations of 40% research, 40% teaching, and 20% service. This quilt visualizes these categories and their subcategories, as well as my articulation work–the often undocumented and invisible work that needs to happen to enable the main work to occur (Suchman 1996). The patchwork is inspired by the well-known “jelly roll race” pattern and is quilted with lines at a 17-degree angle to represent the salary difference between me and my male colleagues.

    Materials: commercial cotton fabric; machine pieced patchwork; custom hand-guided longarm quilting

    48″ x 60″

    This quilt appeared in the following exhibitions:

    • The American Woman: Feminist Futures 2024
    • Creative Resistance: The Art of Protest, First Presbyterian Gallery, Fort Wayne, Indiana 2026
  • Acceptances x Rejections 2023

    16″ diameter

    Commercial cotton fabric, cotton batting, thrifted bedsheet, metallic thread, wooden frame, personal data, machine pieced into patchwork, digital longarm quilted and stretched over frame

    Y’all know I love data, but I’m not much for Top Nine. Instead, this one goes out to the people who have told me that sharing about rejections helps.

    Here, in quilt form, is my acceptance and rejection data from 2023. Green represents acceptances, but notice there are two shades of green: lighter for juried and darker for non-juried. Pink is rejections, and purple are things still undetermined (cough*Paducah*cough).

    Excluding the non-juried shows, which accept all works until a given deadline or a space cap, I had about a 50% success rate this year.

    I knew I wanted to stretch this on a frame (with my new electric stapler recommended by @kellyspell ) and I was just going to quilt it with a pretty circular block pattern, but as I was browsing designs I came across this one from @karleeporterdesign and knew it was the right fit.

    You are enough. Put your stuff out there. 50% > 0%. As my dad used to say, we have a 0% success rate for 100% of the things we don’t apply for. And I want to see what you make in 2024.

  • Finding Joy

    20″ x 20″

    Commercial cotton fabric, polyester batting, polyester thread, machine-pieced patchwork, domestic machine quilting, digital longarm quilting, stretched over wood frame

    Made for the 2023 QCNYS Challenge

  • Systolic/Diastolic

    This multiptych continues a series exploring the use of bargello to communicate changing data–in this case, my yearly blood pressure and hemoglobin counts at every Red Cross blood and platelet donation since I began donating in March 2020. Each panel is one year; the vertical movement is based on the systolic measurement and the width of each strip is based on the diastolic measurement. Custom digital quilting designs indicate whether the donation was blood or platelets, my hemoglobin count, and whether or not the count met the minimum level for donation.

    Commercial cotton ombre fabric, machine pieced patchwork, personal health data, custom digital longarm quilting

    60″ x 40″

    2023

    This quilt appeared in the following exhibitions:

    • Quilts Unlimited, View Arts Center 2023
    • AQS Paducah 2024
    • Pennsylvania National Quilt Extravaganza 2024
    • Made In New York, Schweinfurth Art Center 2025
    • International Quilt Festival (Houston, TX) Judged Show 2025
  • Magenta Muerta

     This piece was made in response to the 2023 Pantone color of the year. I found the choice of “Viva Magenta,” a color intended to “promote a joyous and optimistic celebration” and “encourage experimentation and self-expression without restraint” to be in poor taste given the ongoing global pandemic. The bargello design is informed by CDC data of weekly deaths from COVID-19 between January-May 2023 (when the emergency declaration for COVID–and thus mandatory data reporting–ended).


    42″x56″
    Commercial cotton solids, cotton thread, pearl cotton, cotton batting, public health data, machine pieced patchwork, custom hand-guided and computerized longarm quilting; hand embroidery

    This piece is available for sale

    This quilt appeared in the following exhibitions:

    • Asheville Quilt Show 2023
    • Fiber Arts Fiesta 2024
    • String Theory at The Cultural Center of Cape Cod (MA) 2024
    • And Still It Remains: A Long COVID Exhibition, Artworks Loveland (CO) 2025
    • Schweinfurth Art Center Member Show 2025
    • Creative Resistance: The Art of Protest, First Presbyterian Gallery, Fort Wayne, Indiana 2026
  • New Year’s Resolutions

    This quilt begins a series exploring the use of bargello to communicate changing data–in this case, my weight everyday in the month of January.

    38″x75″

    Commercial cotton ombre fabric, personal health data, machine pieced patchwork; custom digital longarm quilting

    This quilt appeared in the following exhibitions:

    • World of Quilts XLII 2023
    • AQS Grand Rapids 2023
    • Fiber Arts Fiesta 2024
      • 3rd Place, Abstract
    • International Quilt and Fiber Arts Festival 2024
    • Earlville Annual Quilt Show 2025
  • Stars of Social Media

    This quilt draws on traditional conventions of redwork to present the most frequented online media sites in the US during 2020, juxtaposing the data-driven online world with slow textile traditions.

    52″ x 52″

    Commercial cotton fabric, cotton thread, cotton batting, embroidery floss, U.S. social media usage data, machine-pieced patchwork, hand embroidery, hand-guided longarm quilting

    This quilt is available for purchase

    This quilt appeared in the following exhibitions:

    • Uncommon Threads, Carlisle Learning Arts Center 2022
    • Atlanta Quilt Festival 2023