Tag: patchwork

  • Floral States of Women in America (2026)

    I love sets of things. It’s probably related to my love of classification, which after all is essentially determining what belongs in a given set (and what doesn’t belong) and why. So when I learned about the Floral States of America block of the month (BOM) project from Cotton Cuts, I was immediately interested. Every month for 10 months I received pieces for 5 precut blocks. Each block included a unique fabric print based on a US state flower from Andover’s Floral States collection. There were some hiccups and delays in completing the blocks (some from Cotton Cuts and some on my end) but I finished the blocks sometime last year but promptly put them aside because I wasn’t yet sure in what order I wanted to arrange them. Alphabetically seemed boring. The blocks were sent to us chronologically in the order they joined the union, so that made sense but just wasn’t exciting me.

    And then I was invited to share some quilts at the Matilda Joslyn Gage Center on the theme of women and women’s work, and it struck me that I could do something with that and these blocks. I found the Georgetown Institute for Women, Peace, and Security’s report on The Best and Worst States to be a Woman and I was off and running! I used the on-point setting for the blocks and arranged them in order top to bottom, left to right, from best to worst.

    But if you don’t happen to have all the state flowers memorized, how would you know just by looking? So I digitized the outline of each state and quilted it in each corresponding block.

    I stitched in the ditch for the sashing and used some ghost shapes to define the cornerstones. Added rays in the setting triangles and corners, et voila! A lovely 60″ x 72″ unique data-driven quilt that captures the state of women in the US.

    The problem? The Matilda Effect gallery at the Gage Center is in the original section of the historic house…and the ceilings are only 80″ tall. Unfortunately, this quilt was too large and would not work as part of the exhibit. But after talking with the director, we decided to move in a different direction. I have donated this piece to the Matilda Joslyn Gage Center to be raffled off as a fundraiser. That’s right–this bespoke quilt can be yours!

    “Floral States Of Women In America”

    2026

    60″ x 72″

    Retail price of $1850.00
    Tickets are $1/each, $10 for 12, and $20 for 25.
    Drawing will take place at the Gage Foundation Awards Dinner on October 3, 2026.
    Winner need not be present to win.

  • Hand Made

    Surprised to find this hand-pieced teal patchwork top at a reuse store, I tried hand quilting it but quickly discovered that was not my forte. Instead I played to my strengths by layering it beneath black fabric and using custom digital quilting of my own handwriting and cut away text to encourage reflection on what kinds of hand work is valued in the quilt community and beyond.

    30 x 36″

    Found cotton hand-pieced patchwork quilt top, commercial cotton fabric, wool batting, cotton thread, custom digital wholecloth longarm quilting, cut-away reverse applique

    This quilt appeared in the following exhibitions:

    • Make Your Mark, Floyd Center for the Arts 2025
    • Pennsylvania National Quilt Extravaganza 2025
    • New York State Fair 2025
  • Acceptances x Rejections 2023

    16″ diameter

    Commercial cotton fabric, cotton batting, thrifted bedsheet, metallic thread, wooden frame, personal data, machine pieced into patchwork, digital longarm quilted and stretched over frame

    Y’all know I love data, but I’m not much for Top Nine. Instead, this one goes out to the people who have told me that sharing about rejections helps.

    Here, in quilt form, is my acceptance and rejection data from 2023. Green represents acceptances, but notice there are two shades of green: lighter for juried and darker for non-juried. Pink is rejections, and purple are things still undetermined (cough*Paducah*cough).

    Excluding the non-juried shows, which accept all works until a given deadline or a space cap, I had about a 50% success rate this year.

    I knew I wanted to stretch this on a frame (with my new electric stapler recommended by @kellyspell ) and I was just going to quilt it with a pretty circular block pattern, but as I was browsing designs I came across this one from @karleeporterdesign and knew it was the right fit.

    You are enough. Put your stuff out there. 50% > 0%. As my dad used to say, we have a 0% success rate for 100% of the things we don’t apply for. And I want to see what you make in 2024.

  • Finding Joy

    20″ x 20″

    Commercial cotton fabric, polyester batting, polyester thread, machine-pieced patchwork, domestic machine quilting, digital longarm quilting, stretched over wood frame

    Made for the 2023 QCNYS Challenge

  • Easy As ASL

    In summer 2020, I was inspired to take up embroidery again. I was inspired by sets of things, such as alphabets, that would make good quilt squares. Each of these letters was hand-embroidered by me and machine pieced into the quilt. By the time this work was completed, it was no longer 2020! I decided to capture the time span of work in the quilting.

    50″ x 56″

    Commercial cotton fabric; cotton batting, DMC embroidery floss, machine pieced patchwork, hand embroidery, custom hand-guided longarm quilting

    This quilt is available for purchase

    This quilt appeared in the following exhibitions:

    • Genesee Valley Quilt Fest 2022
    • Tompkins County Quilt Show 2022
    • Pennsylvania National Quilt Extravaganza 2022
    • Indiana Heritage Quilt Show 2023
    • Schweinfurth Member Art Show 2023
  • Stars of Social Media

    This quilt draws on traditional conventions of redwork to present the most frequented online media sites in the US during 2020, juxtaposing the data-driven online world with slow textile traditions.

    52″ x 52″

    Commercial cotton fabric, cotton thread, cotton batting, embroidery floss, U.S. social media usage data, machine-pieced patchwork, hand embroidery, hand-guided longarm quilting

    This quilt is available for purchase

    This quilt appeared in the following exhibitions:

    • Uncommon Threads, Carlisle Learning Arts Center 2022
    • Atlanta Quilt Festival 2023
  • These Colors Should Run

    This patchwork quilt represents the (lack of) gender and racial diversity in the US Senate during the 116th Congress (2019-2021). Every blue triangle in the star field represents a female senator; the red stripes represent the proportion of non-white senators.

    28.5″ x 22.5″

    Commercial cotton fabrics, cotton batting, cotton thread, machine pieced patchwork, custom hand-guided longarm quilting, trapunto

    This piece appeared in the following exhibitions:

    • Art Quilts: Going Forward 2021
      • Juror’s Choice Award
    • Vermont Quilt Show 2021
    • Fantastic Fibers 2021
    • Shifting Tides: Art That Speaks To Our Ever Changing Times 2021
    • Mid-Atlantic Quilt Festival 2022
    • New York State Fair 2022
      • Second Place – Small
    • Quilts Unlimited 2022
    • Made in New York 2023
    • Indiana Heritage Quilt Show 2023
    • Original Sewing and Quilting Expo Quilt Contest 2023
    • Creative Resistance: The Art of Protest, First Presbyterian Gallery, Fort Wayne, Indiana 2026